Description
Hand embroidery on hessian
127 x 118 cm
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Behind The Hat
R70,000 (Excl. VAT)
R80,500 (Incl. VAT)
Artist:Lerato Motau
Hand embroidery on hessian
127 x 118 cm
Within South Africa we courier your artwork to your door - the shipping cost will show at the checkout. When shipping art internationally, two primary options are commonly considered: crated and rolled. Crating involves securely packaging the artwork in a custom-built crate, providing maximum protection against physical damage but often resulting in higher shipping costs due to size and weight. We will be in touch regarding the best options for you. Virtual hanging of art is an innovative service we offer that allows art enthusiasts and collectors to visualize how artworks will appear in their desired spaces before making a purchase. We digitally place the selected artworks on your walls, in the correct scale to achieve the desired aesthetic. This service not only helps in making informed decisions but also enhances the overall art-buying experience, providing a realistic preview of the final result and ensuring that the chosen artworks harmonize with the surrounding decor. Please contact us to make use of this service!
Shipping Info
On the other hand, rolling art involves taking stretched paintings off the frame, carefully wrapping the artwork and placing it in a protective tube. This method is more cost-effective and suitable for flexible pieces.
Choosing between crating and rolling depends on the specific artwork's size, fragility, and budget, as well as the destination's shipping requirements and regulations.
Virtual Hanging
Lerato Motau
Lerato Motau
South African textile artist Lerato Motau creates her work amidst the lived realities of motherhood, between cooking, cleaning, and raising her children. Rather than emerging from a formal studio environment, her pieces are born in her home on Vilakazi Street, the only street in the world once home to two Nobel Peace Prize Laureates, Nelson Mandela and Archbishop Desmond Tutu. This context is not incidental: it forms part of the narrative stitched into her work, connecting personal, domestic life to larger histories of leadership, struggle, and community.
Each stitch in Motau’s textiles functions like a word, collectively forming narratives about her life and the lives of the women she depicts. These are intimate stories of individual womanhood, yet they simultaneously speak to broader cultural and traditional identities. In her hands, thread becomes language, fibre becomes memory, and the domestic space becomes a site of artistic authorship and cultural preservation.
Her artworks share a unified aesthetic while diverging through variations in colour, stitch, and texture. Motau works primarily with threads and fibres that have been passed down to her—materials gifted by friends over many years. These inherited and donated materials carry communal histories, embedding her pieces not only with personal memory but with the lives and connections of the women around her. Each artwork thus becomes both singular and collective, weaving together the shared experiences, labour, and resilience of women.
Grounded in place, history, and everyday life, Motau’s work transforms the ordinary into the profound. Through needle and thread, she elevates domestic labour into artistic expression, honouring the stories that are often left unspoken yet are foundational to community, culture, and identity.
